Inside Out and Song of the Sea

“Inside Out and Song of the Sea are both films that handle human emotions deftly and approach mental health with tact and intelligence, but taken together they’re also a reminder that, from the shores of old Irish mythology to the kitchens of contemporary San Francisco, family relationships (at least those of the traditional heterosexual marriage-and-kids variety) remain constrained by old assumptions about what women’s and men’s minds look like.”

Ex Machina

“Ex Machina isn’t just your standard cautionary tale about the dangers of playing god, but specifically a story about the toxicity of male power. It pointedly literalises the meaning of ‘objectification’ in the physical construction of female bodies; all its women are artificial things built by Nathan, and the film is harshly critical of their exploitation. But as a film in which two men talk and act while the feminine mainly exists as a visual feast, it walks a tightrope between critiquing misogyny and enacting it.”